Whether showcasing the love between two people of the same gender, depicting the ongoing fight for equal rights or simply showing that LGBTQ+ people have important stories worth telling, there are so many fantastic gay and LGBTQ+ movies that you can stream right now, on Netflix and beyond. No matter what genre you're in the mood for, there's something on this list that you'll love: romantic movies, documentaries, comedy movies, thrillers and even independent films. That's incredibly meaningful, especially for teens and people who haven't yet found a safe outlet to express who they really are. Every year, more and more gay, bisexual, queer and transgender films have been hitting the streaming service marketplace, and that's good news, because watching movies that center these narratives can help those who identify as part of the LGBTQ+ community feel seen, heard and validated.
Most romantic gay movies movie#
There isn't a person on Earth who would criticize you for it.Whether you're looking for a fun movie to watch during a night in, a powerful film to screen during a Pride Month event or you're simply interested in diversifying your media diet, our list of the best LGBTQ+ movies ever made has something for you on it.
Most romantic gay movies full#
Between Christopher Walken's desire to run his car into a school bus full of children, the classic Marshall McLuhan scene, Alvy sneezing into his friend's box of cocaine, simply handing over his license to the police officer in California…you know what? This could go on for a while. Arguably Woody Allen's masterpiece, this film set the bar for the modern romantic comedy and brought plenty to the table for men to enjoy independently. You know all those movies I listed above that featured the protagonist in a couple that sees its ups and downs, delivering an honest interpretation about male-female relationships (hint: it is just about every single one)? They wouldn't exist without this one. This is me both completing my duties both as a film journalist and an American citizen. It has been a while since I last read the Constitution, but I am fairly certain there is a part in there that stipulates that all lists regarding romantic comedies must have a section reserved for Annie Hall.
Then, perhaps, you should sit him down for…
Sit them down, watch it, and punch them in the face when they admit to actually liking it. 10 Things I Hate About You doesn't have that effect (nor does it deliver the blight of arachnophobia!) Based on Shakespeare's The Taming of the Shrew, this adaptation replaces whining teenagers with funny dialogue, engaging characters, and a platform where some of today's best talent got their foothold (Joseph Gordon-Levitt, Heath Ledger (RIP), Julia Stiles and David Krumholtz to name a few.) Some assholes may give you shit about it, but that most likely means they haven't seen it. When watching a 30-year-old woman complain about not having a man in your life, the average male wants to leave the theater, but when that same situation is placed on a 16-year-old girl, there is a desire to flee as though you are being chased by this thing. What's even more insufferable for men than a standard romantic comedy? A standard romantic comedy starring teenagers. Even if you can't relate to that experience, however, Peter Gabriel on a raised boombox has given boyfriends a cheap alternative to chocolates and flowers for more than twenty years now. We have all tried to build something with someone we cared about only to see it all crash and burn just as fast (and not all of us get a pen as compensation). This is a growing up story as much as it is a romantic comedy and every guy on Earth has been in Lloyd's shoes. Normally this is the stuff date night movies are made of and typically put thoughts of suicide in the mind of any guy who has to sit through 120 minutes of it, but it actually breaks the mold and is totally acceptable without an XX chromosome on the other side of the couch. They get together, the girl's father disapproves, they break up and he tries to win her back.
Cameron Crowe's directorial debut tackled what would, by most standards, be considered a cliché romance: the average, somewhat popular guy going after the ultimate girl next door.